Skrol

Vladimír Hirsch, Martina Sanollová, Tom Saivon

Also there are session musicians of Skrol: Martina Sanollová, Tom Saivon, Vladimír Hirsch
Find this artist on the Web: http://vladimirhirsch.com/e_Skrol.html, http://arsmorta.org, http://www.myspace.com/projectskrol

Discography of Skrol:


Click to release title to look at track list of the album
# Cover Release title Total tracks Download mp3 album Release date Label fo release
1 Skrol - Heretical Antiphony Heretical Antiphony 9 1999 Membrum Debile Propaganda
2 Skrol - Martyria Martyria 4 1998 Power & Steel
3 Skrol - What The Eyes Have Seen Have Not Seen What The Eyes Have Seen Have Not Seen 7 1999 Ars Morta Universum
4 Skrol - Insomnia Dei Insomnia Dei 8 1997 CatchArrow Recordings
5 Skrol - The Fall Verified The Fall Verified 11 1998 CatchArrow Recordings
6 Skrol - Aegis Aegis 2 1999 CatchArrow Recordings
7 Skrol - Dances And Marches For The Orphan Age Dances And Marches For The Orphan Age 14 1999 CatchArrow Recordings
8 Skrol - New Laws / New Orders New Laws / New Orders 14 2000 CatchArrow Recordings
9 Skrol - Insomnia Dei Insomnia Dei 7 2003
10 Skrol - Dances And Marches For The Orphan Age Dances And Marches For The Orphan Age 11 2005-03-24
11 Skrol - Insomnia Dei Insomnia Dei 7 2001
12 Skrol - What The Eyes Have Seen Have Not Seen What The Eyes Have Seen Have Not Seen 7 1999 Ars Morta Universum
13 Skrol - New Laws / New Orders New Laws / New Orders 13 2009-09-01 Twilight Records (2)
14 Skrol - Insomnia Dei Insomnia Dei 7 1997-12-01 CatchArrow Recordings
15 Skrol - Dances And Marches For The Orphan Age Dances And Marches For The Orphan Age 11 2013-12-13 CSIndustrial 1982-2010
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About Skrol

Skrol was formed in autumn 1995. It consisted of composer and polyinstrumentalist Vladimír Hirsch, singer Martina Sanollová and Tom Saivon, who provides noise structures and lyrics. Formation´s direction of creativity aims are based on original principles of modern form of classical music with its incorporation into a artificial space, using ambient and noise structures, characteristic for the contemporary post-industrial likeness of the world. The project doesn’t completely deny residues of rock principles. At least minimally, it is music paying respect to traditional song form.

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