Voices Of Kwahn

Voices Of Kwahn

Also you may know as Voices Of Khwan AD, Voices Of Kwahn A.D., Voices Of Kwahn AD
Also there are session musicians of Voices Of Kwahn: Anna Homler, Mark Davies (5)
Find this artist on the Web: http://www.myspace.com/voicesofkwahn

Discography of Voices Of Kwahn:


Click to release title to look at track list of the album
# Cover Release title Total tracks Download mp3 album Release date Label fo release
1 Voices Of Kwahn - Ya Yae Ya Yo Yo Yo Ya Yae Ya Yo Yo Yo 2 1998 Excession
2 Voices Of Kwahn - Ya Yae Ya Yo Yo Yo Ya Yae Ya Yo Yo Yo 2 1993 Max Bilt
3 Voices Of Kwahn - Rebirth Rebirth 13 1993 Max Bilt
4 Voices Of Kwahn - Peninsular Enclosure Peninsular Enclosure 7 1997 Swarffinger Records
5 Voices Of Kwahn - Ya Yae Ya Yo Yo Yo Ya Yae Ya Yo Yo Yo 4 1993 Max Bilt
6 Voices Of Kwahn - Ya Yae Ya Yo Yo Yo (The Awakening) Ya Yae Ya Yo Yo Yo (The Awakening) 5 1994 Zexos Empire
7 Voices Of Kwahn - Operation Dismantled Sun Operation Dismantled Sun 6 2000 Swarffinger Records
8 Voices Of Kwahn - Ya Yae Ya Yo Yo Yo Ya Yae Ya Yo Yo Yo 2 1993 Max Bilt
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About Voices Of Kwahn

Voices Of Kwahn are American vocalist (and performance artist) Anna Homler and multi-instrumentalist Mark "Pylon King" Davies.

The single '[b]Colonist Dreamer[/b]' introduced their elegant fusion of quirky vocals and electronic/ethnic ambience. Originally, on '[r=246418]' (Max-Bilt, 1993), Nigel Butler was the keyboardist and the sound was a light patina of samples, dance beats, dub reverbs and vocal avantgarde (but Homler's contribution is minimal). Butler left, Davies absorbed ethnic influences and Homler's vocals became a staple of the dance/trance format (The Great Call, Silver Bowl) on '[b]Silver Bowl Transmission[/b]' (North South, 1996). '[r=263694]' (Swarffinger, 1997) is less ethereal and, at times, almost industrial. Heavy on the samples and the percussions. The mini-album '[b]Operation Dismantled Sun[/b]' (Swarffinger, 1998) presents yet another version of Voices Of Kwahn, one that has left behind the ambient/new age leanings of the early albums (and Homler's vocals) and favors a harder, harsher, haunting approach.

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